I am honored to have been chosen to share a selection of my series “The Perfect Stone” at the Phoenix Gallery in NYC this September as part of a “Stories We Tell” exhibit sponsored by the Women’s Caucus for Art. A few selections from my series “Kindling” will be in the catalogue as well. Thanks to all involved. I look forward to seeing the rest of the work in September.
How does someone heal from sexual violence? A recent article from the New York Times http://www.nytimes.com/2013/06/06/health/therapy-for-rape-victims-shows-promise.html?emc=eta1&_r=0 highlights a recent study in the New England Journal of Medicine exploring effectiveness of a new treatment for victims of rape in Congo. The article notes:
Hundreds of thousands of Congolese females, from toddlers to grandmothers — possibly as many as two million, according to one study — have been raped by rebel fighters or government troops. Notoriously brutal attacks have included gang rapes and penetration with guns, knives and other objects that have torn apart women’s reproductive systems and intestines, sometimes beyond repair.
As a daughter, a mother, and a woman, these stories are sadly too familiar. And, at the same time, where I live and work, I am relatively safe. It is this dual connection that I was exploring in the series https://smithgarcesart.com/kindling/.
How different are the concerns of mothers the world over? How different are the needs of families—in cities, villages, refugee camps? Children need care. They must be tended to—fed, clothed, sheltered. These essential truths do not change no matter where you live, or what condition you find yourself in. These are the thoughts which occupied my mind as I took a group of local mothers to collect firewood in the town in which I live, and interviewed them to find out what the essential needs of their families are, and how these needs are met.
Traditionally home is the center of the family, the hearth is the heart of the home, a place where families come together for comfort and warmth. The kindling in these drawings echo this ancient ideal of comfort and security, just as the fragile and unsteady piles of wood echo the vulnerable position of women struggling to sustain their families in the most severe conditions imaginable. These drawings of kindling gathered by individual local mothers, and accompanied by their own quotes obtained in interviews, reveal how universal are the needs of families, just as it made clear how precarious and out of reach these most basic of needs are for hundreds of thousands of mothers, fathers, and their children, world wide.
Has anyone seen the latest episode of PBS’s Frontline called “Outlawed in Pakistan”? It features the story of a brave young woman – really just a girl – 13 year old Kainat Soomro, who takes on law and custom when she accuses four men of gang rape. If you haven’t, I’ve linked to the program here http://www.pbs.org/wgbh/pages/frontline/outlawed-in-pakistan/.
The show raises many of the questions I was exploring in my series, Is This the Answer https://smithgarcesart.com/is-this-the-answer/.
What is the answer to keeping the world’s women and girls safe from physical and sexual abuse? What will it take for our sisters, mothers, and daughters to live in safety without shame? “Is this the Answer?” reflects on the prevalence of physical and sexual abuse, victim’s internalized feelings of shame, and the failure world wide to provide women and girls with protection and redress. The juxtaposition of these medieval instruments of torture, with western proverbs taken from history, are comments on the continued vulnerability of women in the 21st century. Together the proverbs and images underscore mixed messages that women still struggle to reconcile today.
In the middle ages women could be sentenced to wear shaming devices for being too outspoken, for dressing in a way that was considered shameful, or simply walking in a way that was considered enticing to men. Today, women no longer are sentenced to wear a branks, or mask of shame, but may still be silenced by internalized notions of self-blame. Feelings of guilt are frequent among victims of physical and sexual abuse. Women continue to “Suffer and Be Still”, witnessed by the continued under reporting of rape world wide. Women, young and old, frequently internalize blame in domestic assault cases, insisting that they elicit abuse by provoking their partners or by not being docile enough. The double pillory presented in “It Takes Two to Make a Quarrel”, literally binds both victim and abuser together, making no distinction between them, in much the same way women have been known to make excuses for an abusive partner.
Despite the romanticization of the chastity belt, women who were locked in this devise (“Under Lock and Key”) to maintain their “honor” despite it’s inability to protect, were more often inflicted with physical and emotional pain. Then, as now, women who lose their “purity”, even in cases of rape, can face a punishment of death. A cage or “gibbet, ” like the one featured above, once used to inflict a slow and torturous death, might today be put to better use as a protective devise for a young woman coming of age.
I invite you to share your thoughts.